Foxtrot Six (2019)
“Revolution starts with the last men standing.”
Foxtrot Six (2019) delivers a bold and ambitious entry into the action-sci-fi genre, blending explosive set-pieces with a dystopian vision of Indonesia’s future. Produced by Hollywood veteran Mario Kassar (Terminator 2, Rambo), the film dares to think big — and though it stumbles at times, its raw energy and political undercurrents make it a standout in Southeast Asian cinema.
Set in a not-so-distant future where Indonesia is ruled by a ruthless political party known as PIRANAS, food scarcity and totalitarian control have turned the nation into a ticking time bomb. Former marine-turned-politician Angga (Oka Antara) is forced back into action when he uncovers a deadly conspiracy threatening the country — and the woman he once loved. Teaming up with his old squad — the elite “Foxtrot Six” — Angga sets out to ignite a revolution from the shadows.
The film combines gritty gunfights, slick drone warfare, and mecha-like tech with a high-concept story about resistance and redemption. While the dialogue occasionally leans melodramatic, the film’s pacing and relentless action keep things moving. Estelle Linden shines as Sari, a rebel leader torn between ideals and survival, and the chemistry between her and Antara gives the story an emotional backbone.
Visually, Foxtrot Six punches far above its weight, with VFX and production design that rival Hollywood standards. Director Randy Korompis doesn’t hold back — from high-speed car chases through Jakarta’s ruined streets to intense shootouts in jungle compounds, the film rarely lets you catch your breath.
It’s loud, it’s messy, but it’s got a beating heart. Foxtrot Six is a rare kind of action film that blends political commentary with blockbuster ambition — and it deserves attention beyond just regional borders.
